Commentary — 14 April 2011

Another good and insightful look at the intersection of hip hop, misogyny

Kevin Powell

and the culpability of its artists…

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From KevinPowell.net

If anyone had bothered to read pages 58-62 of Ms. Judd’s memoir, then they would know she put into context not only how she was asked to be a part of YouthAids, where hiphop icons P. Diddy and Snoop Dogg were serving as spokespersons, but you get her evident grappling, as a sexual abuse survivor, as a feminist, and as a human being, of making peace with working with them, and 50 Cent, too, in spite of her real and righteous feelings about gender violence. And why wouldn’t she? For example, besides a career weighted with lyrics calling women all sorts of derogatory terms, Snoop once showed up at the MTV Video Music Awards with two women on dog leashes. What woman, with any level of self-respect, would want to be associated with that definition of manhood?

Instead what we who call ourselves men, or hiphop heads, or whatever, have done is myopically label Ashley Judd as “racist,” “a dumb White woman,” and other terms which are simply not printable in this space. As a man, as a Black man, as a heterosexual Black man, who has been deeply involved in both hiphop culture and the hiphop industry for 30 years, I was not offended by Ms. Judd’s words.

That’s because I believe in speaking the truth always: America in general has always been a male-dominated, sexist nation. This is nothing new. Hiphop did not create sexism, misogyny, abuse, disrespect, a culture of rape, or violence against women. No. Those behavioral patterns go back to the days of the Pilgrims, the so-called founding fathers, and slavery, as if we are to be historically and culturally accurate.

Full commentary at KevinPowell.net

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Morris W. O'Kelly (Mo'Kelly) is a columnist, radio and television commentator. Visit https://mrmokelly.com for the latest from Mr. Mo'Kelly. Find him on social media - @mrmokelly

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